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1981
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2025-10-06 00:43
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It has been said that most great twentieth century novels include scenes in a hotel, a symptom of..
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《四重奏》剧情介绍
琪琪影院提供影视作品四重奏高清全集在线观看的影视全集网,爱情片《四重奏》全集作品的导演是詹姆斯·伊沃里 ,由阿兰·贝茨 玛吉·史密斯 伊莎贝尔·阿佳妮 安东尼·希金斯 主演,四重奏在豆瓣的评分为0.0,本片由小编于2025-10-06 00:43更新,希望大家喜欢,可以把《四重奏》推荐给你朋友,本作品的地址为 https://www.ok586.com/qiqiyingyuan/98737.html
《四重奏》简介:
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
When Marya's husband is put in a Paris prison on char@波多野结衣中文字幕免费观看@ges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a w@好家伙qvod@orld that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
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改编自英国著名作家艾米莉·勃朗特同名经典作品,英格兰北部的荒原之上,一场跨越阶级的禁忌之恋正在上演。庄园之主的女儿凯茜(玛格特·罗比 饰)与被收养的孤儿希斯克利夫(雅各布·艾洛蒂 饰)青梅竹马,灵魂契合彼此深陷。爱意悄然滋长之时,现实的残酷和命运的捉弄却将二人分开。多年以后,他携风暴回来,纯洁的爱火逐渐从浪漫演变为痴狂,谱写了一曲关于欲望、爱与疯狂的史诗篇章。
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